![watch sonchiriya netflix watch sonchiriya netflix](https://m.media-amazon.com/images/M/MV5BZmQ0YWUzNmYtNzFlMi00NTIxLWE0MDctNzc4MmE0ODg4OTI5XkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_UY1200_CR89,0,630,1200_AL_.jpg)
Apart from NH10, he wrote Udta Punjab (2016), Sonchiriya (2019) and dialogues for Laal Kaptaan (2019). Sharma writes stories rooted in lived history and laced with socio-political undertones. Even more importantly, it has led to the emergence of newer voices as the entry barriers for someone to become a writer have gone down considerably.” “And this increased demand over supply has led to better compensation and terms of work. He adds that work for writers has increased tremendously in the last two years, thanks to the over the top (OTT) platforms. Due to the nature of the format - with multiple directors, cinematographers and editors engaged in a single project - it presents a unique opportunity for the writer/showrunner to be that common link through the process.” “With the streaming format comes a chance for a writer to lead and be a crucial part of the entire process in the form of a showrunner or creative producer. Now, he is the showrunner of Patal Lok, an upcoming investigative drama on Amazon Prime Video. It took five years for his first film, NH10 (2015), to be released. Take Sudip Sharma for example - the Delhi University graduate from Guwahati who studied at IIM Ahmedabad gave up lucrative jobs in Coca-Cola and Asian Paints to turn screenwriter in 2011. This evolution of the role of a screenwriter is most evident in the space of original content on streaming platforms. Streaming platforms give writers more power That he is a co-producer of several major films now proves that the writer is becoming a major stakeholder. He is known for employing colloquial flavour and rambunctious Hindi heartland conversations in his stories and dialogues. Sharma struggled for a few years before hitting the big league with a distinct voice as the writer of the two Tanu Weds Manu movies and Raanjhanaa. Just ask Himanshu Sharma, who went from writer to creative producer to co-producer with this film along with Aanand L Rai under the banner Colour Yellow productions - a definite sign of evolution for a screenwriter. Shubh Mangal Saavdhan (2017) is testimony to this change - the writer is finding a voice, gaining more control over their work and getting paid better. A decade ago, for a young man’s erectile dysfunction to be the subject of a mainstream Hindi film would have been highly improbable.